A sample entry:
http://www.microscopist.co.uk/wp-conten ... -paper.pdfThe striae of Amphipleura pellucida were first resolved in 1869 with a Powell & Lealand 1/16" water immersion objective.
http://www.microscopist.co.uk/wp-conten ... -paper.pdfThe striae of Amphipleura pellucida were first resolved in 1869 with a Powell & Lealand 1/16" water immersion objective.
Allow me:desertrat wrote:Unfortunately, my browser, which has a .pdf reader extension, crashed from the huge file size before I could locate the plate with the photographs.
I wonder how he extracted monochromatic light from the sunlight. I assume he preferred the violet wavelength, since his optics and photography was probably incompatible with UV. But, a true monochromator would provide a very low intensity - except perhaps when the sun stands at the Zenith on a summer day! if he used filters, I doubt that interference filters were known then, so he had to create a bandpass filter from colored glass filters. With all high NA and high RI components he used, he certainly pushed Abbe's and Rayleigh formula to the limit.ImperatorRex wrote: All these photos were taken with the Zeiss lens 1/10 inch, nA 1.63. Monochromatic sunlight. Special compensation eyepiece 12. Condenser 1.6. Inclusion in a medium with refractive index 2.4. Coverslips and flint glass slides with a refractive index of 1.72.
Source: van Heurck, 1893
Wouldn't this be a nice ebay- of flea-market-find? You open a box and on closer inspection see that it is just this ensemble of rare components? I would even have a use for the sunshine here!ImperatorRex wrote: taken with the Zeiss lens 1/10 inch, nA 1.63. Monochromatic sunlight. Special compensation eyepiece 12. Condenser 1.6. Inclusion in a medium with refractive index 2.4. Coverslips and flint glass slides with a refractive index of 1.72.
At that time monochromatic light have been achived by glas cuvettes that were filled with either a blue copper oxide ammonia solution (blue - violette light for dry plan photo plates) or yellow picric acid solution (used for orthochromatic photo plates).Hobbyst46 wrote:I wonder how he extracted monochromatic light from the sunlight. I assume he preferred the violet wavelength, since his optics and photography was probably incompatible with UV. But, a true monochromator would provide a very low intensity - except perhaps when the sun stands at the Zenith on a summer day! if he used filters, I doubt that interference filters were known then, so he had to create a bandpass filter from colored glass filters. With all high NA and high RI components he used, he certainly pushed Abbe's and Rayleigh formula to the limit.
Thanks for the link. Happily I managed to download it.desertrat wrote:Hi Bob,
Unfortunately, my browser, which has a .pdf reader extension, crashed from the huge file size before I could locate the plate with the photographs.
https://ia800400.us.archive.org/32/item ... carp_1.pdf
Thanks MichaelG. Paging this book, I thought of Gandalf reading about the history of the Ring in the dust-covered scrolls in the library of the White City...MichaelG. wrote:There is some useful technical detail here:
https://ia600503.us.archive.org/13/item ... 00heur.pdf
MichaelG.
Thanks for the link. Downloaded!MichaelG. wrote:There is some useful technical detail here:
https://ia600503.us.archive.org/13/item ... 00heur.pdf
MichaelG.
Actually, a bit of movement at the beginning & end of a 10-minute exposure might have a lot less blurring effect than it would on a 1/2 sec exposure (with a modern camera & more light).@ImperatorRex - thanks for clarifying. So they managed to keep the photographic setup totally motionless and vibration-less for 10 minutes...we are standing on the shoulders of giants, no doubt.